With her father away in India, Lady Alkmene Callender finds being left to her own devices in London intolerably dull, until the glamorous Broadway star Evelyn Steinbeck arrives in town! Gossip abounds about the New York socialite, but when Ms Steinbeck’s wealthy uncle, Silas Norwhich, is found dead Lady Alkmene finds her interest is piqued. Because this death sounds a lot to her like murder…
Desperate to uncover the truth, Lady Alkmene begins to look into Ms Steinbeck’s past – only to be hampered by the arrival of journalist, Jake Dubois – who believes she is merely an amateur lady-detective meddling in matters she knows nothing about!
But Lady Alkmene refuses to be deterred from the case and together they dig deeper, only to discover that some secrets should never come to light…
I read this a few weeks ago having picked up a prepubbed copy from netgalley, but have only just gotten around to writing a review …. Sorry all!
Anyway Lady Alkmene is at a society event and at a loss of what to do now her father is off on one of his botany jaunts. She overhears a man propsing to an American woman, but both are hidden behind a folding screen and she never gets to find out who the man is. She finds out who the woman is, when she is introduced to her later at the party. Having recently arrived from the states, Evelynis the niece of Silas Norwhich, a man known for having a priceless collection of art.
Problem is, Silas is dead within days, with the newly found niece about to inherit every thing. However, was the death an accident, or was it murder? Alkmene suspects the latter, and with time on her hands, starts investigating. Her name and connections get her only so far however, but other doors begin to open when she joins forces with the investigative journalist Jake Dubois. He initially dislikes her meddling, no matter how well interntioned, especially when she tries to deal with issues that she ultimately will only make worse, no matter what she tries.
In the end however, they come to some form of truce, and work together to find out about identity fraud, lost families, deaths…all the things you would want in such a mystery. Whether or not the crime itself is complex, the hard work is on the world-creation for this novel, which is the more enjoyable for all the detail. It allows for further novels to have both the glamour of the “highlife” (diamonds, parties and steam ships) combined with the gutterlife (the slums, the pre-NHS/pre-dole world) for the low paid and sick.
I know there are at least two other books in this series, and there are enough “gaps” to allow for further developments later. Such as: where does the chemistry between the two leads take them? Is London really that progressive (a mere 20 years after the death of Victoria) for a girl to be allowed to run around town without a chaperone? Or is her father living in his own world so much that he doesn’t wonder about the “look of the thing”, and therefore not arrange for Alkmene to have a companion?