Book Review: Incredible Hulk: Dogs of War by Paul Jenkins, Ron Garney

The Hulk has been hounded by armies before. But this time it seems more personal than usual. General Thaddeus “Thunderbolt” Ross blames the Hulk for his daughter’s death, and his colleague, General Ryker, has decided the time has come to bring him down for good. The Hulk doesn’t necessarily disagree with Ross, since his gamma-irradiated body caused the radiation poisoning that killed his wife, Betty. The stage is set for a battle the likes of which have not been seen before. Ross brings everything in the army’s arsenal to bear in this war. The Hulk must fend off mutated soldiers, radiation-injected hounds and even tries to turn the Hulk’s own body against him. It’s a battle for the ages, but not without a price being extracted from both Ryker and the Hulk. The aftermath may leave the army poorer for the experience, but it also leaves the Hulk and his Bruce Banner alter-ego in less than stellar shape.

Hardback in the Marvel series, picked up from my local Comic Book Store.

The book includes the two part Snake Eyes as a precursor to the full 9 issue “Dogs of War” storyline.  It centres on Banner having both lost his wife Betty, as well as finding out he has Lou Gehrig’s disease. He is dying and doesn’t have anything left in the world to live for. Continue reading


Book Review: Captain America: War and Rememberence by John Byrne (Artist), Roger Stern (Writer), Jim Salicrup (Editor)

captain america war and rememberance marvel Captain America’s endless war on crime and tyranny sets him against new enemies and old, from an army of robot replicas to the black deeds of Baron Blood Plus: Captain America for president Guest-starring the Avengers; S.H.I.E.L.D.; and the late, great Union Jack Featuring Cobra, Mister Hyde and Batroc the Leaper The complete Stern/Byrne run, culminating with the standard-setting version of Cap’s awe-inspiring origin.

From my TBR shelf, published by Marvel Comics, in Hardback. In the introduction, Jim Salicrup mentions that he comes into the sub-editor space near the end of a story process, where no one was happy with the story, but it was too late to change anything. When he became editor, it allowed him to ditch the previous arc which was out of canon by doing what could be classed as a “Bobby Ewing in the shower” moment by having the previous arc as implanted false memories.  It’s this story that kicks off this collection. Captain Marvel works with Dum-Dum Dugan and Nick Fury from SHIELD to recover his original memories, as Cap has to face Dragon Man and Machine Man.

The storyline of Cap possibly running for President is as relevant in the current election cycle as when it was written; Mister Hyde has teamed up with Batroc the Leaper to blackmail the New York Harbour with a container of Liquid Gas in exchange for several billion dollars, only for the pair to turn on each other; Cap gets a phone call that calls him back to England to team up with his old friend Union Jack (James Falsworth), who is now bedridden and dying but has to confront the threat of Baron Blood the vampire.  Interspersed with these stories are the fact that Cap is still coming to terms that all his old friends are now getting very old or dead whilst he is still in his prime (after being in suspended animation for decades). He is also trying to balance being a super hero (Captain America) against earning a living and paying the bills – something that I dont think is necessarily covered in the current batch of comics. He is also getting out and dating again, whilst wondering when to/if to reveal his secret identity and the reasons why Steve Rogers keeps disappearing at strange moments. Previous partners are either now much older (e.g. Jacqueline Falsworth/Spitfire), or have died as part of the life of the super hero.

This was written and produced in the 1980s, and I’m surprised this style of comic has survived this late. There’s lots of exposition via text, lots of “BAM!”s and “THWOCK!”s, the cells are of standard size and colouring, and it’s a straight linear narrative (top left to bottom right, same again on the opposite page). I’m much more in favour of the more modern style, where there’s less story-dump-through-text, more variation in the cell sizes (where narrative can switch into across the two pages), and the colours are more varied and occasionally darker.

Author Details

John Lindley Byrne is a British-born Canadian-American author and artist of comic books. Since the mid-1970s, Byrne has worked on nearly every major American superhero.

Byrne’s better-known work has been on Marvel Comics’ X-Men and Fantastic Four and the 1986 relaunch of DC Comics’ Superman franchise. Coming into the comics profession exclusively as a penciler, Byrne began co-plotting the X-Men comics during his tenure on them, and launched his writing career in earnest with Fantastic Four (where he also started inking his own pencils). During the 1990s he produced a number of creator-owned works, including Next Men and Danger Unlimited. He also wrote the first issues of Mike Mignola’s Hellboy series and produced a number of Star Trek comics for IDW Publishing.

Book Review The Avengers: Birth of Ultron (Marvel Ultimate Graphic Novel Collection Classic #12) by Roy Thomas, John Buscema (Illustrator)

avengers birth of ultronWitness the startling creation of one of the Avengers most deadly foes: the insane automaton known simply as Ultron.

Discover what drives this metallic menace, as it undertakes a terrifying  (a scheme that will leave the Avengers changed forever! Plus, change is afoot as two mysterious new members, the Vision and Yellowjacket, join the team. Collecting Avengers vol. 1 #54-60 and Avengers Annual #2.

From my TBR pile, when at the time of reading, the second Avengers movie (Age of Ultron) is still in post production with an expected release in 2015, exact date dependant on region.

This is NOT the book of the film. This is a collection of early Marvel comics, charting the initial appearances of Ultron (Ultron-5), plus a few additional lesser known cast members in the Avengers canon.  There’s no “original publication date” I can see for the source comics, but judging on style, presentation etc, I’m guessing they were originally published in the 1960s. Of course, Marvel have a back history of the character.

The makeup of the Avengers here is not the team set up that modern audiences are currently used to (Thor, Iron man, Hulk, Black Widow etc). There is a “New” Avengers consisting of the lesser known Giant ManWasp, Black Panther, along with the better known Captain America) and Hawkeye.

The presentation as a Graphic Novel is lovely, with the hard cover, a collection of related strips etc. I have to admit that this is not my style of Comic Strip. I am very much a fan of the later style of  Comic/G.N. with related narrative, violence and design,  where as this is from the 1960s/1970s with a much more “innocent” (retro) style of cell construction, drawing and violence.  Cells colours are lighter and brighter, exposition and story line is progressed though chunks of in-cell text explaining what’s going on to the reader. There are also occasional handy arrows guiding you from one cell to the next in case you hadn’t worked out where to go next! It reminded me somewhat of the Adam West Batman series – all gaudy colours, cheese and make believe fighting. There is also some bad alliteration at the start of each episode as to who wrote or drew what.  These are the strips I would expect to see in the weekly “funnies” and that I would be able to pass onto Nieces and Nephews as a more “acceptable” level of violence.

Several characters are introduced, such as Ultron-5, The Vision  (an android sent by Ulton to kill everyone, only to have a change of heart), and YellowJacket – yet another SuperHero character for Hank Pym to add to his other alternate characters of Ant-Man, Giant Man etc.

In summary: nice to have read as a backfill to the new Avengers movie, but not really my style of Graphic Novel

Here is one of the trailers for the Avengers: Age of Ultron movie:

Book Review: Alabaster Wolves by Caitlin R Kiernan

alabasterAlabaster  Wolves by Caitlín R. Kiernan
My rating: 4 of 5 stars

For nearly as long as she can remember, Dancy Flammarion has fought monsters, cutting a bloody swath through the demons and dark things of the world, aimed like a weapon by forces beyond her control or questioning. But now, for the first time, Dancy finds herself alone–and the wolves are closing in.

First time I’ve come across Dancy, which I picked up whilst shopping in my local comic book store and deciding to try something new.

This hardback is a collection of the 5 story arc where Dancy is left by her Avenging Angel to face the monsters and Wolves alone (apart from the talking blackbird and the ghost of the werewolf she kills in the first story).

This is not an easy journey for Dancy, feeling alone and angry that she seems to have to do the dirty work for the angel but gets deserted at her most challenging time.

Story is good, graphics and lettering are decent and reflecting the disintegrating world that Dancy finds herself in

Book Review: New X-Men, Vol. 2: Imperial by Grant Morrison

imperialNew X-Men, Vol. 2: Imperial by Grant Morrison
My rating: 3 of 5 stars

As protesters lay siege to the Xavier Institute, Professor X lies in a coma, trapped within the shattered form of his evil twin, Cassandra Nova.

Charles Xavier has been betrayed by his identical twin Cassandra – she has stolen his body and taken to the galaxy, using his good name to destroy worlds and send people mad.

Meanwhile the Xavier school is under attack, first by non mutant humans wishing to destroy the mutants, then by sickness, then by Cassandra’s warriors, hoping to destroy all of the mutant verse.

It’s a long book, that could have done with a little culling – the journalists appeared at random times when you had forgotten about them, and there is only one saving grace for Dr Mccoy where he gets to turn down someone who had hurt his feelings before. This coming at a time when he is becoming more and more “Beast” like and feeling that he’s losing his humanity

“Classic” X-men drawings this isnt. None of the mutants come out looking particularly attractive, even Scott and Wolverine and often they appear old and tired. There’s the usual young man’s fantasy of busty girls wearing barely-covering-nipples outfits (with no corresponding male eye candy for the girls). However there are decent fight scenes, and the damage done to the x-men shows that they are less than invincible.


Book Review: Marvel 1602: Spider-Man by Jeff Parker

Marvel 1602: spider-manA return to the acclaimed universe created by Neil Gaiman and Andy Kubert kicks off as The Spider has reached manhood in the New World The young nation has grown peacefully, but Norman Osbourne’s treachery finds a way to spoil the peace and put Peter’s life on a new course – back to Europe. Jeff Parker [Agents of Atlas] joins artist Ramon Rosanas to begin the final story of the 1602 saga Collects Spider-Man 1602 #1-5

An offshoot of the Marvel 1602 world set up by Neil Gaiman. All the Marvel stablemates appear in a new world setting.

Peter Parquah is all grown up as a “witchbreed” in America. Osborne commits crimes and is sent back to England to be tried, and Peter is sent on the same boat to keep an eye on him.

Meanwhile some natural philosophers (including Octavious) have been experimenting with Witchbreed blood in order to make them superhuman but things run afoul resulting in a battle in the streets.

As usual, it takes a while to work out who everyone is in “real” life, especially if you’re not a regular visitor to the Marvel multiverse.

Book Review: Ultimate Comics Iron Man: Armor Wars by Warren Ellis

armor wars #ironman #marvel #comic

Cash, cars, boats, houses… Tony Stark has got it all. The only thing that could ruin his day? If every single one of his Iron Man armors were stolen, and then turned against him!

In the wake of devastation brought on by Ultimatum, Earth has become a harsh place to live. Most of the world’s heroes are dead or missing. New York, once the capital of the world, is now a waterlogged husk of it’s former self.

But Iron Man remains vigilant. Until, that is, he learns that his advanced technology has been stolen by the Ghost, a corporate mercenary with his own modified suit of armour.

And matters go from bad to worse when Justine Hammer, the daughter of one of Tony’s rivals tells Stark that the Ghost isn’t the first person to plunder his base. Across the globe, criminals have brought and sold the Iron Man specs. And the only person with enough guts, charm and available cash to stop them from wrecking havoc in an already unstable world is Tony.

Tony is still a bit of lush, and spends most of the story rather drunk, but still manages to out-think and out-shine everyone. He’s down to his last $100million and occasionally has to “slum” it as only Tony can.

Joining up with Justine – who has been bioengineered with nanobots into a superhuman by her father – he travels the world to find out where the stolen technology and plans are in an attempt to stop them being used by baddies. Thankfully (!) they haven’t been sold to too many people, so it’s a fairly short arc. New York looks a mess, but London doesnt look to bad, so the devastation doesn’t look as bad as implied in the blurb.

Tony gets a shock to find out who is masterminding the thefts and how the thief has managed to get through the locks he had designed. Unfortunately, the thieves have not appreciated the significance or the impact of the one small box that Tony doesn’t want to open, with fatal consequences

Graphics are clean and the panels are not overloaded. As I’ve said the story is a little light on numbers of baddies, but then again, there is enough pathos at then end to compensate.